Wrapping up this round of posts on the arts with a few more, beginning with these short video clips in which six teachers share their perspectives on the role of art and the artist in society. Teachings of this type have deeply informed my mindful journey back into the world of form and have helped me to glimpse the larger human story embedded in all works of art and creation.
"I have great hope now for art produced by the interaction of human beings and computers."
"The artist is the social conscience of a society."
"Society has to be able to observe itself … and what allows a society to do that are the producers of art and culture"
"The moment you give it your complete attention, every little thing is alive and miraculous and beautiful."
"A real piece of art is a window into the transcendent."
"The purpose of art is to take the senses on a journey back to the source of perception, which is pure awareness."
To wrap up this first round of posts on the art of computer gaming, here’s a small gallery of soundtracks that demonstrate not only the range of musical styles found in gaming but some of the best work being done in the industry. For music that’s emotive with dashes of energy, check out Journey or The Unfinished Swan. Ori and the Blind Forest reminds me more of a Studio Ghibli or Disney soundtrack with its range, large sound and sweeping movements. The smaller and charming music from DVA is anything but routine and invites multiple listens whereas the soundtracks for Ibb & Obb and Hohokum are the type of meditative electronica that makes for a chill gaming session – or a good work session when playing in the background while blogging (true story – listening to Hohokum at this very moment). The images below link to freebies offered on Youtube for your listening pleasure; please consider supporting the artists of any of these creations you want to enjoy repeatedly. :)
It seems only fair to share some samples of the gorgeous computer generated art I was raving about in the previous post. Whether it’s a photo-real moonlit beach or a stage full of wooden marionette puppets, these beautiful digital environments practically beg to be explored and enjoyed.
What happens to our sense of ‘me’ after death? Does our consciousness reincarnate in another form to live another life? How should we prepare for our death – and what does that even mean? Insights of the type shared by these six teachers in this video gallery helped me discover a new perspective from which to grapple with such questions about the transformation that is death.
In this 8-min excerpt from one of his many lectures, Alan invites us to embrace the other half of the natural rhythm that is death.
"You can only die well if you understand this system of waves… that you are just as much the dark space beyond death as you are the light interval called life. These are just two sides of you because 'you' is the total wave. See, you can't have half a wave. Nobody ever saw waves which just had crests and no troughs. So you can't have half a human being who is born but doesn't die; half a thing. That would only be half a thing."
Though the video quality is less than ideal, Shakti Maggi's concepts on death and 'reincarnation' (my term, not hers) come through with the loving clarity that is her hallmark in this short 4-min. video.
"The body, it is simply a movement of energy arising from the stillness of your being …[during death, this movement] will be simply receding back into stillness."
In this 5-min. video, Adyashanti describes how the process of aging can lead to the wisdom and freedom of letting go.
"But certainly, enlightenment is absolutely intrinsically linked with death. There is no deep lasting liberation without death, without dying before you die, without the psychological self giving way. They're intimately linked; you don't get one without the other. They're absolutely linked together."
Rupert explains why we experience different states of awareness and offers a description of 'reincarnation' (my term, not his).
"Remember, the body is an appearance in the mind. So when the body dies, just a particular localization of consciousness disperses… Consciousness doesn’t dissolve."
A 6-min lecture snippet in which Terence comments on the origins of the body and exploring the after-death space with psychedelics.
"So I think what biology is, is the intrusion into 3-dimensional space and time of hyper-dimensional objects. And the other clue to that, that seems an argument for it, is that we do have this thing called 'the mind' but we can't find it anywhere. It doesn't seem to be anywhere… [at death] I think probably these objects retract back into hyperspace - higher space ... we clothe ourselves in matter but we are not matter and so to actually complete a human cycle of existence, you have to go into death. It's where you came from..."
In this short excerpt from a radio interview, Eckhart talks about a choice the consciousness will face after the body's death.
"What is left is simply consciousness. Temporarily, perhaps, it will still have - not a physical form but exist as a separate form … the choice may be there of taking on another body or of removing yourself completely. There are many people now - those who are ripe for realization - if you sense within yourself, you will feel whether or not you want to live again."
Though we often imagine ancient cultures as being populated by ‘primitive’ peoples, the art and temples of ancient Egypt (5,000 BCE – 400 AD) reveal a civilization with a far more advanced understanding of the material and spiritual world. The symbolic language of the Egyptians carried layers of meaning, the deepest of which was only revealed to graduates of Egypt’s famous mystery schools, during which psychotropic plants – likely mandrake and blue lotus – were used to unlock the deepest secrets of their sacred science.
Experienced psychonauts assert that specific psychotropics (LSD, psilocybin, cannabis, etc.) provide access to specific inner spaces or ‘dimensions’. As odd as the notion may sound, it’s not quite so hard to believe when viewing the work of artists who’ve encountered the ayahuasca brew. Not only do their complex and colorful images give the uninitiated a peek into the ayahuasca experience but they also make clear – in beautiful details! – the striking similarities among the visions of many people. According to these paintings (and numerous verbal accounts), ayahuasca opens the door to a realm of tropical wilderness full of wise serpents, jungle cat guides, sacred plants, ancient trees, vivid colors and – for many – a Mother Gaia archetype. Here are a few examples of ‘ayahuasca art’ from two widely known artists, Pablo Cesar Amaringo and Anderson Debernardi.